As a result of the incredible response and feedback to my autobiography, A Reason To Love Me, I felt A Reason To Love Them to be the most logical follow up. Although not a sequel per se, the two are very much linked. Whilst offering further insight into my life experiences, with this book I aim to challenge views and beliefs by suggesting alternative perspectives, perspectives which have helped me heal and take my life back.
Although it can be incredibly hard at times for us to love ourselves, it can feel almost impossible for us to love ’them’, those whom we view as the perpetrators. A lesson without which inner peace cannot be achieved.
A book that offers techniques, methods and alternative perspectives which deal with overcoming trauma and abuse. From mental health to physical abuse the author through her own life experience as a survivor, with courage, love and acceptance, proves that nothing is insurmountable.
Daniela began her journey in rural Italy, surrounded by scrutiny and judgement, searching for love, acceptance and purpose. Her determination and hopes led her on a tumultuous journey that has seen her deal with the dramatic realities of her life. Using the strength and knowledge gained she has sought and found a balance and tranquillity she now channels into guiding and supporting others. Through her counselling and public speaking, she is now dedicated to helping others face and overcome their difficulties and demons in life and continues to deliver her message of love, hope and peace.
Reader Reviews...
5.0 out of 5 stars A very beautiful and powerful book
This beautifully written book has the potential to be life changing for its reader.
Using her own experiences, Daniela takes you on a journey of deep self-reflection and offers you a different way of perceiving the world. She tackles the most difficult topics with such awareness and understanding, consistently promoting messages of love, compassion and kindness. Each chapter delves into a different topic, always finishing with a ‘reason to love them’. This is a powerful way of guiding you through a shift in perception, and the process of forgiveness.
Daniela has clearly experienced some very dark moments- as have many of us - but she has has found a way to shine light onto them and in doing so has become free from their chains. In reading this book, I guarantee you will be inspired to do the same. I thank her for sharing the story of her own healing to help others.
Following a near-death experience that left her contemplating her past, Karen O’Donnell set out with new determination to be seen and heard. The message?You don’t have to wait until some life-altering event forces you to wake up. The time to wake up is now.Have you ever wondered…Why does life seem to be passing me by?Why don’t I get the success I deserve?Why am I even here?These questions provoked a journey of self-discovery, resulting in a powerful system to explore your own life and experience it as you were meant to live it — with happiness, clarity and success.Discover Your Inner GPS is a simple and effective guide to personal transformation that will help you understand how you can change your life to one you desire and deserve.
Applying the strategies and techniques in this book, you will explore your inner world, uncover the beliefs that keep you on a road you no longer want to walk down and discover your true inner navigationalsystem — the key to staying forever true to you.Not living the life you’re supposed to be living? Discover your inner GPS and find the one that’s out there waiting for you. Even if you don’t yet know where it is... The title is very appropriate as it is a map for inner well-being and development of the self. Karen’s extensive studies in various fields, make her the ideal person to lay out a map for those seeking fulfilment. The book is set out in various steps to be followed and worked at to develop a healthy and holistic lifestyle. Dr. Frank McKenna
The Horse Leads the Way undertakes a timely review of the rapidly growing profession of Equine Facilitated Practice. Part handbook, part personal story, the author blends embodied, grounded techniques and compassionate insights to gently guide this method back to its greatest teachers: the horses themselves.
A graduate of Eponaquest® Worldwide and LEAP, she established her Equine Facilitated Learning (EFL) practice, Equine Reflections, in 2007.
Angela is a sensitive, intuitive horsewoman. She is also a healer, teacher, writer, community worker and consummate holder of sacred space. She delivers private sessions, talks, workshops, taster sessions, supervision, mentoring and training. She specializes in supporting women through navigating their own personal growth, reconnecting to their bodies, and reclaiming their true essence. Angela lives in Herefordshire, England and delivers her work in the UK and abroad by invitation.
Juli Lynch, Ph.D. Author of The Personality Archetypes of Horsemanship and The Seven Aspects of Human and Horse Transformation and founder of Epala, an equine facilitated coaching and counseling program.
“I LOVE this book. The Horse Leads the Way is a deeply significant and important book that finally outlines clearly the need to honor the horse as the lead facilitator in equine facilitated work. It challenges paradigms that have placed the horse in the role of an object to be acted upon by human facilitators and clients in this growing field, and puts forth a compelling and beautifully written perspective that sees the horse as a sentient being, who is capable beyond a doubt to enter into an inter-species relationship of equality with humans. This book asks those of us working in the field to look deeply within ourselves first and foremost, to seek our own transformation so that we can stand alongside our clients as interpreters and guides – as witnesses to profound processes that horses can and will offer when allowed and honored for who they truly are. This book will be required reading in all my equine facilitated training programs.”
Mike Delaney, Director of LEAP
“I believe that Angela’s book is a true testament to her beliefs that we must treat our equine friends with the love and respect that they deserve and as equal partners and not simply as a ‘useful tool’. You will feel Angela’s empathy and passion on every page. It is an extremely thought provoking and at times challenging read as it asks questions that, as professionals, we should be asking ourselves in order to build the most authentic and compassionate relationship with our horses. This book poses strong questions about how we treat our equine partners and if we value enough their staggering contribution. Do we appreciate this? Do we value them enough? Do we treat them as equal partners or ‘tools’ to be picked up and discarded as required? I believe that Angela’s insights are powerful and are a breath of fresh air in today’s equine assisted world. Some may even find it a difficult read as it really questions what we do, but I would urge everyone to read it and take from it what you need to improve your professional practice and the lives of your horses; ultimately creating a more valuable and positive experience for our clients.”
Amazon Review
This book is a must-read for anyone who wants to include horses in any kind of interventions intended to benefit humans, whether for therapy, personal development or learning. Angela's perspective comes from a deep lifelong connection with horses and her practical and encouraging approach leaves us with no excuse for not questioning and reflecting on our own practice - valuing the horses as central to this work. I would highly recommend this book for those who are new to equine facilitated work and for those who have been doing it for many years. There is always more to learn.
Amazon Review
Employing an engaging mixture of practical advice and personal stories, this book covers wide ranging areas in this developing field of work. The author deals with complex topics sensitively, clearly and with a passion which always keeps the reader interested
When you have produced the final draft of your book, it is always advisable to have the text read and checked by a professional editor or proof reader.
You may have friends that are willing and competent to do this and we can advise you on the type of editing that is required.
We can offer four levels of editing as well as proof-reading.
You choose which, if any, are appropriate in your case: 1. Edit of sample pages and short report (£30)
We will edit a few pages to highlight editorial issues so that you can look for similar problems throughout the book.
This will reduce the amount of further copy-editing required when the book is finished. 2. Broad structural editing and criticism (£5 per thousand words)
A structural review is particularly relevant for works of fiction.
The structural reviewer will address the following main areas and produce a short report for the author ” Read More 3. Copy editing (£10 per thousand words)
A copy-editor takes a close look at your text, line by line, with an eye to grammatical errors, repetition, inconsistency and lack of clarity. The copy editor will make changes to the text, with suggestions for rewriting, grammar, and punctuation. When you receive the edited version, you have the final choice about accepting of rejecting the individual changes. 4. Proof Reading (£8 per thousand words)
Proof reading is a line-by-line check that the book is ready for publication. Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself. 5. Consistency Scan
If you decide your book doesn’t need a full proof reading, we offer an electronic scan to search for common errors and inconsistencies. This looks at issues such as inconsistent spelling and inconsistencies of hyphenation and capitalisation.
We can also identify inconsistencies in the spelling of proper names. 6. Cover text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we can work with you to make sure that these are correct and effective.
Copy Edit
Copy-editors get the raw material into shape for publication i.e they edit the copy.
When they have finished, the designer can lay out or typeset the book and produce a proof.
It is quite normal for the author to make additional changes after a book has been copy-edited.
Working through the material, the copy-editor may identify errors in spelling, punctuation, grammar, style and usage, but also very long sentences and overuse of italic, bold, capitals and exclamation marks.
They should correct or query doubtful facts, weak arguments, plot holes and gaps in numbering.
In fiction, they should also check that characters haven’t changed their name or hair colour, look for sudden changes from first to third person among other things.
The Copy-editor is not a proof reader and should not be expected to find all of the errors in the text particularly if the text is badly written to start with.
This is the job of the proof reader.
The final proof should be checked by a proof reader or an experienced reader friend before going to print.
It is almost inevitable (and acceptable) to miss a few errors which can be corrected in a later edition.
Proof Reading
Proof reading is a line-by-line check that the book is ready for publication.
Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself.
If you have decided to complete this stage of the process yourself, we will send a detailed check-list to help you.
We ask you to try and ensure that the book is completely ready before we start the layout.
Once the layout has started, we expect that you might want to to make a small number of amendments but
if there are a significant number, we may need to charge for the extra time it takes to change the layout
so best to discuss this with us first.
Structural Review
In fiction, the main areas that a structural editor will address are:
Plot: Does the plot make sense? Is it believable? Is it satisfying or does it leave the reader frustrated? Themes: Are the themes effectively handled? Are there so many that the book lacks focus? Do they interfere with the plot or complement it?
Characterisation: Are your characters well developed and believable? Are they cast in a role that fits their personality? Do they sometimes behave out of character? Point of view/voice: Is the voice consistent or is it sometimes confused? Is the voice authentic? Are you using too many or too few POVs? Pace: Does the plot move forward at an appropriate pace? Should you cut that preface? Should the action happen sooner or should the tension build more slowly? Dialogue: Do your characters sound real when they speak? Is your dialogue cluttered with adverbs and beats? Do you use clunky dialogue to move the plot forward? Flow: Is the narrative interrupted by dead-ends and tangents? Is there so much back story that the main plot is dwarfed? Are there missing plot points that would give the narrative greater integrity?
In non-fiction, the principle is the same, but the specific issues are slightly different:
Thesis: Is your thesis relevant? Is it clearly defined or is it lost among marginal issues? Exposition: Are your arguments clear and cogent? Are they well researched and properly supported? Do they have a clear relationship with your thesis? Content: Are all the necessary topics sufficiently dealt with? Are the chapters weighted correctly? Is there superfluous content? Organisation: Is the information organised logically? Are tables and illustrations used appropriately? How many levels of subheads do you need and how should they be arranged? Tone: Is the tone appropriate for the audience? Do you need to eliminate jargon? Is the text accessible? Pace: Are there passages that are bogged down in detail? Do you spend too long on detail irrelevant to the main thesis? Are there areas that need further exposition lest they be skipped over?
Cover Text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we work with you to make sure that these are as effective as possible.
Consistency check
If you decide your book doesn’t need a full proof reading, we can run an electronic scan to search for common errors and inconsistencies.
This looks at issues such as inconsistent spelling, hyphenation and capitalisation.
It also checks for consistent formatting of numbers and dates as well as undefined abbreviations.
Subsequent Script Edit
It is very normal and generally beneficial for the script-editing process to go through at least a couple of cycles
i.e. the rewritten draft to be worked through once again by an experienced script practitioner – though this would be entirely at the discretion and behest of the writer.
Full Script Edit
The script that you deliver to us will probably constitute what the industry would classify as the ‘Initial Rough Draft’, i.e. a full screenplay written without any other professional input or advice, and probably without a great deal of rewriting. We work through your draft, line by line, scene by scene, and come back to you with a comprehensive set of notes from which you can then work towards the official ‘1st Draft’. Some of our notes will be broad and general, dealing with such areas as the overall shape and structure, pacing, plot and character development; others will be far more specific, with corrections, clarifications and suggested cuts etc. It is of course entirely up to you whether or not to take these suggestions on board, and to what extent.
Ongoing Support
We aim to make your self-publishing venture an enjoyable and rewarding experience.
Publishing is a complex business and we treat every book as a separate project.
We explain all of the stages at the outset and we manage the project schedule for you. This will include all of the expert services you have requested for editorial, design, printing, distribution and collection of royalties, keeping in close contact with you throughout the process.
You will be allocated a project-sheet on the YouCaxton website so that you can monitor progress and ensure that all stages are properly completed.
If you would like to see an example of a Project-Sheet…
go to My project on the menu and enter…
Username: Sample
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