Wyndham Ward spent fifty-eight years in aviation: twenty-three years in the RAF and thirty-five years in civil flying. From Boy Mechanic he progressed to fighter pilot on the famous Hawker Hunter, flew low-level high-speed Buccaneers with the RAF, and with the Fleet Air Arm from HMS Ark Royal he was selected for the Red Arrows Aerobatic Team of 1979, a team that was unique in flying the last of the Gnats and the first Hawks.
Smoking Red
by Wyndham Ward
The Red Arrows and more - a life on the wing
A life-long lover of aeroplanes, Wyndham Ward spent fifty-eight years in aviation: twenty-three years in the RAF and thirty-five years in civil flying. From Boy Mechanic he progressed to fighter pilot on the famous Hawker Hunter, flew low-level high-speed Buccaneers with the RAF, and with the Fleet Air Arm from HMS Ark Royal he was selected for the Red Arrows Aerobatic Team of 1979, a team that was unique in flying the last of the Gnats and the first Hawks.
This involved an extended tour of duty with the team displaying the Hawk internationally and mixing with celebrities of many types.
After a wonderful five years with the Red Arrows, Wyndham took to civilian aviation and joined Cathay Pacific, flying the Pacific Rim on B747’s and long range Airbus A340’s out of Hong Kong airport.
An invitation to join Oman Royal Flight followed and as a Royal Flight Captain he flew the Sultan, VVIP’s and Heads of State in his B747 SP’s.
Casting aside the glitz of royalty, he took up an appointment with Airbus Toulouse training pilots and this led to training business-jet pilots with CAE a world-wide Canadian training company and manufacturer of the latest synthetic flight simulators.
Now retired from UK CAA and US FAA qualified posts, he lives in rural Mid-Wales and taken to writing to encourage young men and women to fly whatever their circumstances and to enjoy aviation as much as he has.
Mia is Lost
by Jessica Keane
A Mia the Kitten Adventure
Mia is a curious, cheeky kitten looking for adventure. Tempted by the mysterious forest behind her back garden she ventures in. Soon she is lost. Night falls, a thunderstorm strikes and hungry foxes prowl.
Will Mia’s friends find the scared kitten before it is too late? The neighbourhood cats ask a wise owl to lead the search.
Bats with superpowers, two kind deer, a forgetful squirrel and a nosy hedgehog all play their part in this big-hearted animal adventure story that will keep children and adults hooked.
Mia is Lost is Book 1 in the Mia the Kitten Adventure Series. This delightful animal adventure series about a feisty kitten and her forest friends is ideal for kids who love animals, nature and adventure. The illustrated chapter books are aimed at children above the age of six who are ready to step up from picture books to more complex stories with multiple characters. They work well as read together books for young families but can be read alone by competent young readers. I recommend reading the books in order although they work as standalone books as well.
Facts about nature and forest animals are woven into the plot that follows kitten Mia as she makes friends and keeps getting into trouble in the woods behind her house. All the books in the series focus on the value of friendship, kindness and the benefits of collaboration.
Reviews of Mia Is Lost...
Jo Leddington - 5 out of 5 stars A delightful story
This is a delightful story about a little black kitten who young readers will fall in love with. Mia’s adventures will keep them turning the pages and discovering the beautiful illustrations. The writing is evocative and conjures the atmosphere of the forest. The author weaves facts about the forest animals into an exciting tale. This book works for both the younger child being read to and the new reader. I loved it and so did my granddaughter .
Duncan Richards - 5 out of 5 stars A wonderful debut novel!
I thoroughly enjoyed this charming gem! As a child, I was fascinated with stories about animals, and this would have made it into my top five books along with my favourite collection of stories about a very talkative and imaginative hamster. I would recommend this book to any child around the age of six or above, or anyone with an interest in stories about nature and adventure. The plot was gripping throughout and the illustrations were delightful. I can't wait to read the next instalment!
Erin Britton - 5 out of 5 stars Great for reading to younger children or early readers to read
Our daughter (4 years old) avidly listens and loves asking questions about Mia and what she is going to do. An enjoyable read, highly recommend.
From Little Acorns:
A Story of Courage and Inspiration
An Autobiography by Graeme Whiting
The main thing about Graeme is this: his energy. More specifically, it’s a special kind of energy that acts as a catalyst on others. We all have great potential within us, but the difficult thing is activating it. Some people have the gift of providing the necessary spark to others – and this is at the heart of education, as something quite distinct from imparting information, and ultimately more important. Graeme is one of the rare people with that special gift.
Jeremy Wade (ex-pupil, angler, biologist, TV presenter)
Graeme Whiting’s childhood was spent in poverty. He faced hardship and later, tragedy, but came through these challenges with the courage and enthusiasm to develop a remarkable career in education based on his passion for nurturing the individual abilities and unique potential of each student.
Graeme was initially a physical training instructor in the army and then taught in public schools where a key mentor helped him adapt and refine his degree-level training skills to teach children.
A move to the Steiner system opened his eyes to a profoundly different approach to education, which along with Graeme's rich life experience – including his love of fishing, gymnastics, water sports and all manner of fun and adventure – became the foundation for his distinctively wholesome way of educating young people.
In 1991 Graeme was able to fulfil a lifelong vision of how schooling with heart and kindness can help children flourish. Together with his wife, Sarah, he took a leap of faith and created his own school – The Acorn School – now a highly original cutting-edge independent school in the Cotswolds.
After thirty years of Acorn, Graeme has written this book as an encouragement to us all to follow our hearts and take the path less travelled, no matter how humble our background.
The Ghosts of April
The life and times of the ugliest man in rock
living the dream isn’t always what it’s cracked up to be by Dave Russell
As a teenager, Dave Russell discovered the joy of listening to rock music and watching live bands, an escape from his working class roots and strict upbringing. While pounding the streets of London as a telegram boy, he had the ambition to make music, but he could never have foreseen rubbing shoulders with real-life heroes or appearing on television and national radio as the singer in a band of complete unknowns. From performing in front of axe-wielding maniacs to interrupting a couple in flagrante delicto, this book is a journey of discovery – the real life of an aspiring musician, including redundancy, eviction, relationship break-ups and too many goodbyes.
Such a musician does not have the luxury of this book being reviewed by the national press or book clubs, but here are some comments by real people:
“Not bad for an ex-scaffolder,” my mate Glenn.
“You never told me you was in a band,” my milkman. “Is that your shed on the front cover?” my neighbour Clive.
Where Will I Be? - In Search of Sokolov by Barbara Truman
The story of how one particular piano recital changed the course of the author’s life and inspired her to overcome her fear of flying and to travel to more than twenty European countries over a period of twenty-three years to listen to one very special pianist.
It describes not only the fascinating places she visited, the people she met, the friendships she cultivated, the comical and at times far less amusing things that happened to her, the kindnesses and the catastrophes, but also her impressions of the performances she attended, the diversity of venues in which those performances took place and the vagaries of audience behaviour.
It’s the story of someone approaching late middle age whose life suddenly turned into an amazing adventure, told with candour and humour.
Barbara Truman lives in Birmingham, the city of her birth, although she has lived in other parts of the country and for a while in Australia. In recent years her leisure time has been largely devoted to travelling around Europe and listening to music.
In March 2020 at the start of the pandemic she retired from a sixty-year secretarial career during which she worked in the fields of commerce, accountancy and the law. With time on her hands she decided it was the ideal moment to start writing this book.
‘I scrambled from the table and ran outside to the old orange tree. Flinging my arms round the trunk I burst into tears and began banging my head against the bark...’
A novel that looks at the challenges African teenagers and young adults face, especially in the poorer and more remote areas: forced marriages, families below the poverty line, inadequate schools, harsh discipline and bullying. All for discussion in school, this book will help young people realise their identity and their innate ability to create a better world for themselves and for others.
Synopsis
At the age of three, Winstone Wamalwa’s father died and his mother ran away to avoid being forcibly married to unmarried uncles who tormented him, and he had to live with unloving grandparents.
He had no shoes to wear when he went to school. The school had no water or electricity and only an earthen floor on which pupils sat. Discipline was harsh – a friend collapsed from malnutrition when ordered to run round the playground for failing his exams.
But Winstone had talent. He gained a place in a prestigious school in Nairobi – only to be bullied for his poverty and from tribal rivalry by pupils from well-off families. In desperation he attacked a perpetrator and was only saved from expulsion by a Maasai pupil with strong principles who stood up for him.
In an astonishing twist, his art teacher then claimed him as her son but, believing his mother was dead, he fled in horror and was unable to return to school until an unknown benefactor paid his fees. It was then that Winstone at last saw a light at the end of a dark tunnel which led to an entirely different lifestyle.
About the author
Born in Cambridge, Roger spent many years working with children in a voluntary capacity in Kenya, Nepal and the UK. He is married to a Norwegian and has four daughters. He gives many talks and lectures on East Africa and Kenya in particular, to children and adults alike, with a view to helping them understand the hardships so many suffer from in third-world countries.
Having examined the origins of whisky and golf in his native Scotland and followed this up with visiting golf courses and whisky distilleries in England, Wales and Ireland, the author now sets off on an exploration of how they fare on the continent of Europe. This latest odyssey starts in Granada in the south of Spain and ends, some 3,000 miles to the north, on the Lofoten Islands inside the Arctic Circle.
With travel much interrupted by the pandemic, he visits an eclectic mix of distilleries and golf courses many of which have been inspired by whisky and golf ’s Scottish roots and meets fellow whisky and golf enthusiasts of different nationalities. As well as marvelling at the diversity of golfing and whisky offerings across the different countries, he continues to develop his ‘golf and whisky as metaphors for life’ hypothesis and concludes positively that they are both topics on which different peoples will seek common ground and friendships while they even offer lessons on how we can all lead better lives in the post-pandemic world.
Andrew Brown was born in Edinburgh, brought up in the Borders and educated at Loretto School in Musselburgh. After reading history at Cambridge University, he pursued a career in the food industry, marketing many famous brands such as Bisto, Hovis and Mr Kipling. He has three grown-up children, is now retired and, outside of his regular visits to Scotland, lives in the Chilterns. Apart from playing golf he is an enthusiastic dog walker, a very average tennis player and a novice gardener.
Reviews of Peats and Putts...
Charles Maclean, Whisky Writer and Master of the Quaich
It is astonishing that until now nobody has sought to bring together Scotland’s two greatest gifts to the world – whisky and golf.
This little book is a personal journey of discovery. In ten chapters, each devoted to a region or county – from Sutherland in the north to East Lothian in the south and Islay in the West - Andrew Brown reviews a golf course and a locally made malt whisky.
As he travels from one place to the next he ponders how and why these two products developed in Scotland and what it is about the country, its landscape and people, which connects them. As he writes: “Both whisky and golf are more than just a drink and a sport; both can be seen as metaphors for the vagaries of life itself.” Indeed!
Golf Quarterly Review June 2018
This is a delightful, well-written little book – part travel guide, part history, part personal philosophy, and part unwitting nationalist tract (what better way, after all, to celebrate Scottish distinctiveness than through writing about its two most famous exports?). It takes the form of a tour of nine regions of the country, in search of the author’s favourite distilleries and favourite golf courses along the way.
I can imagine peripatetic golfers with a fondness for an evening dram, or whisky aficionados with a set of clubs in the boot of their car, packing this little volume and reading up on pleasures planned for the following day. It will be equally enjoyable, though, with a glass of single malt to hand in the privacy of your own home.
What gives the journey special significance is the author’s playful exploration of the similarities and connections between whisky and golf. Andrew Brown, a native Scot who spent most of his career in the food industry south of the border, suggests that location, history and architecture are crucial to the two experiences. History, for instance, is an important part of the narrative that accompanies both playing and drinking. Just as we like to know the origins, ownership and social impact of a particular whisky brand (notwithstanding the marketing hype), so hearing about how and when a golf club was founded, who played there and who designed and changed it invariably enriches a round of golf.
Perhaps design is the most striking common factor given the simple, limited and seemingly unpromising ingredients that course architects and whisky manufacturers both start with. All golf courses are hewn out of sand and soil, while the essential elements of any whisky are also the same: only malted barley, water and yeast are permitted in anything that calls itself Scotch. What produces so many different and unique variations of the spirit is everything from the distilling process to the local landscape, whether it be the taste of the water, the quality of the soil, or the extent of the annual rainfall. In the case of golf it’s the eye and skill to use nature to best effect.
Each chapter describes the idiosyncrasies of a favourite course and distillery. The golf choices are far from predictable – Brora rather than Dornoch in Sutherland, Kilspindie rather than Gullane, Luffness New or Muirfield in East Lothian, the Eden rather than the Old Course in Fife. These reflect not just a conscious decision to stay away from Championship venues but those the author considers best meet his three criteria for selection: a tough but enjoyable (and affordable) test for all levels of golfer, delightful surroundings and a welcoming clubhouse.
There is an equally diverse spread of distilleries, old and new, large and small, ranging from multinational owned enterprises such as Glenmorangie to independent Edradour in Perthshire (20,000 cases of which went down off the island of Eriskay in 1941, inspiring Compton Mackenzie’s wonderful book Whisky Galore).
Wisely, the author does not take prior knowledge for granted though spelling out a three-shotter for golfers or mash tuns for devoted whisky drinkers may mildly irritate some. I liked his many diversions - musings on what makes a good golf hole and a good malt, for example, thumbnail sketches of important golf designers like James Braid and Harry Colt, and reflections on the history and practise of naming golf holes. There are plenty of surprises (at least to this non-expert whisky drinker). Did you know that eight of the world’s top ten whisky brands are Indian, while the country that consumes the most whisky on a per capital basis is France (the United States being second and the UK third)?
Tim Dickson
Editor
Golf Quarterly
Simon Marquis, Cornwall
Of Peats and Putts will appeal to anyone who enjoys golf and/or malt whisky. Andrew Brown is an enthusiastic amateur of both and his enjoyment shines through this delightful scamper across nine of Scotland’s finest golf holes, and a rather more leisurely trundle around nine of its distilleries. The real pleasure of this short volume though is the author’s drawing of nice parallels between these twin pleasures and life itself. Golf has its ups and downs as do our lives, some of them at least, perhaps smoothed away by a late evening dram or two!
The book is a pleasure in itself. I eagerly await volume two.
James Holder - Author of The Great War's Sporting Casualties Andrew Brown's second book, Mashies and Mash Tuns, has all the same charm as his first book. He describes the golf courses highlighted in his book leaving you wanting to play them and writes about whiskey in a way which, because of my own aversion to whisky (and whiskey), leaves me regretting I cannot taste them.
And not content with just writing about golf courses and distilleries, he expresses in no uncertain terms how he thinks golf should be played, views I share but views which I fear too many golfers choose to ignore.
When you have produced the final draft of your book, it is always advisable to have the text read and checked by a professional editor or proof reader.
You may have friends that are willing and competent to do this and we can advise you on the type of editing that is required.
We can offer four levels of editing as well as proof-reading.
You choose which, if any, are appropriate in your case: 1. Edit of sample pages and short report (£30)
We will edit a few pages to highlight editorial issues so that you can look for similar problems throughout the book.
This will reduce the amount of further copy-editing required when the book is finished. 2. Broad structural editing and criticism (£5 per thousand words)
A structural review is particularly relevant for works of fiction.
The structural reviewer will address the following main areas and produce a short report for the author ” Read More 3. Copy editing (£10 per thousand words)
A copy-editor takes a close look at your text, line by line, with an eye to grammatical errors, repetition, inconsistency and lack of clarity. The copy editor will make changes to the text, with suggestions for rewriting, grammar, and punctuation. When you receive the edited version, you have the final choice about accepting of rejecting the individual changes. 4. Proof Reading (£8 per thousand words)
Proof reading is a line-by-line check that the book is ready for publication. Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself. 5. Consistency Scan
If you decide your book doesn’t need a full proof reading, we offer an electronic scan to search for common errors and inconsistencies. This looks at issues such as inconsistent spelling and inconsistencies of hyphenation and capitalisation.
We can also identify inconsistencies in the spelling of proper names. 6. Cover text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we can work with you to make sure that these are correct and effective.
Copy Edit
Copy-editors get the raw material into shape for publication i.e they edit the copy.
When they have finished, the designer can lay out or typeset the book and produce a proof.
It is quite normal for the author to make additional changes after a book has been copy-edited.
Working through the material, the copy-editor may identify errors in spelling, punctuation, grammar, style and usage, but also very long sentences and overuse of italic, bold, capitals and exclamation marks.
They should correct or query doubtful facts, weak arguments, plot holes and gaps in numbering.
In fiction, they should also check that characters haven’t changed their name or hair colour, look for sudden changes from first to third person among other things.
The Copy-editor is not a proof reader and should not be expected to find all of the errors in the text particularly if the text is badly written to start with.
This is the job of the proof reader.
The final proof should be checked by a proof reader or an experienced reader friend before going to print.
It is almost inevitable (and acceptable) to miss a few errors which can be corrected in a later edition.
Proof Reading
Proof reading is a line-by-line check that the book is ready for publication.
Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself.
If you have decided to complete this stage of the process yourself, we will send a detailed check-list to help you.
We ask you to try and ensure that the book is completely ready before we start the layout.
Once the layout has started, we expect that you might want to to make a small number of amendments but
if there are a significant number, we may need to charge for the extra time it takes to change the layout
so best to discuss this with us first.
Structural Review
In fiction, the main areas that a structural editor will address are:
Plot: Does the plot make sense? Is it believable? Is it satisfying or does it leave the reader frustrated? Themes: Are the themes effectively handled? Are there so many that the book lacks focus? Do they interfere with the plot or complement it?
Characterisation: Are your characters well developed and believable? Are they cast in a role that fits their personality? Do they sometimes behave out of character? Point of view/voice: Is the voice consistent or is it sometimes confused? Is the voice authentic? Are you using too many or too few POVs? Pace: Does the plot move forward at an appropriate pace? Should you cut that preface? Should the action happen sooner or should the tension build more slowly? Dialogue: Do your characters sound real when they speak? Is your dialogue cluttered with adverbs and beats? Do you use clunky dialogue to move the plot forward? Flow: Is the narrative interrupted by dead-ends and tangents? Is there so much back story that the main plot is dwarfed? Are there missing plot points that would give the narrative greater integrity?
In non-fiction, the principle is the same, but the specific issues are slightly different:
Thesis: Is your thesis relevant? Is it clearly defined or is it lost among marginal issues? Exposition: Are your arguments clear and cogent? Are they well researched and properly supported? Do they have a clear relationship with your thesis? Content: Are all the necessary topics sufficiently dealt with? Are the chapters weighted correctly? Is there superfluous content? Organisation: Is the information organised logically? Are tables and illustrations used appropriately? How many levels of subheads do you need and how should they be arranged? Tone: Is the tone appropriate for the audience? Do you need to eliminate jargon? Is the text accessible? Pace: Are there passages that are bogged down in detail? Do you spend too long on detail irrelevant to the main thesis? Are there areas that need further exposition lest they be skipped over?
Cover Text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we work with you to make sure that these are as effective as possible.
Consistency check
If you decide your book doesn’t need a full proof reading, we can run an electronic scan to search for common errors and inconsistencies.
This looks at issues such as inconsistent spelling, hyphenation and capitalisation.
It also checks for consistent formatting of numbers and dates as well as undefined abbreviations.
Full Script Edit
The script that you deliver to us will probably constitute what the industry would classify as the ‘Initial Rough Draft’, i.e. a full screenplay written without any other professional input or advice, and probably without a great deal of rewriting. We work through your draft, line by line, scene by scene, and come back to you with a comprehensive set of notes from which you can then work towards the official ‘1st Draft’. Some of our notes will be broad and general, dealing with such areas as the overall shape and structure, pacing, plot and character development; others will be far more specific, with corrections, clarifications and suggested cuts etc. It is of course entirely up to you whether or not to take these suggestions on board, and to what extent.
Subsequent Script Edit
It is very normal and generally beneficial for the script-editing process to go through at least a couple of cycles
i.e. the rewritten draft to be worked through once again by an experienced script practitioner – though this would be entirely at the discretion and behest of the writer.
Ongoing Support
We aim to make your self-publishing venture an enjoyable and rewarding experience.
Publishing is a complex business and we treat every book as a separate project.
We explain all of the stages at the outset and we manage the project schedule for you. This will include all of the expert services you have requested for editorial, design, printing, distribution and collection of royalties, keeping in close contact with you throughout the process.
You will be allocated a project-sheet on the YouCaxton website so that you can monitor progress and ensure that all stages are properly completed.
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