For the lucky few, mountaineering provides an alternate realm of experience and consciousness that frees them from the conventions and routine of everyday life.
Growing up in nineteen-sixties Edinburgh, I found solace in the mountains and in climbing that became a restorative balm for the frustrations of a stifling home life.
With the beauty and grandeur of my beloved Scotland forming an eternal backdrop, I found a soulmate in my climbing partner and we fell in love.
Our love of mountains and the intoxicating thrill of climbing became inextricably interwoven with our love for each other so that we risked both our lives and our hearts in a journey that was to take us to the very limits of our physical and emotional endurance.
In a collection of thirteen true short stories about mountaineering, RISK attempts to explain some of the motivations that drive a climber’s compulsion to test themselves in the mountains.
Filled with cultural and locational references to a forgotten Edinburgh of the nineteen sixties and seventies, RISK is as much the story of a love affair with Scotland as it is with a Scottish woman.
When the English language fails, as it often does, to convey the searing intensity of feelings I have for Scotland’s people and places, I reflect on the Celtic idiom, “cuisle mo chroi” a uniquely Irish Gaelic endearment that literally translates as ‘pulse of my heart’, a sentiment which still carries an electrifying emotional power to move me.
“In any argument, the mountain will always have the last word.” Stig the lorry driver
Born in Glasgow and brought up in Edinburgh by parents from Tyneside, Nick fell in love with mountains and rock climbing at the age of sixteen on Scout and Army cadet training camps in the Scottish Highlands. Now living in the flatlands of East Anglia, Nick still finds time to roam in the wilds of Scotland enjoying the sense of freedom in this last vestige of wilderness in our crowded British Isles.
The author returns to his native Scotland following excursions to the rest of the United Kingdom, Ireland and, more recently, nine continental European countries. In this charming second Scottish volume, he reviews how whisky and golf have fared in Scotland in the intervening five years and finds that there have been plenty of developments. Twenty new distilleries have opened and golf has also undergone something of a renaissance.
There is so much to review about Scotland’s two gifts to the world that a trilogy is barely sufficient to do them both justice. This second volume focuses on Scotland’s east coast and the final volume will explore the west coast and the islands. This second volume again features a mix of large and long-established distilleries as well as small recentlyopened ones, while the author’s golfing choices combine some old favourites with less well-known venues. He continues to marvel at the enormous variety of both whisky and golfing offerings and a developing preference for visiting the entrepreneurial start-up distilleries and ‘hidden-gem’ golf courses will be the focus of his fourth book.
Reviews of Peats and Putts...
Charles Maclean, Whisky Writer and Master of the Quaich
It is astonishing that until now nobody has sought to bring together Scotland’s two greatest gifts to the world – whisky and golf.
This little book is a personal journey of discovery. In ten chapters, each devoted to a region or county – from Sutherland in the north to East Lothian in the south and Islay in the West - Andrew Brown reviews a golf course and a locally made malt whisky.
As he travels from one place to the next he ponders how and why these two products developed in Scotland and what it is about the country, its landscape and people, which connects them. As he writes: “Both whisky and golf are more than just a drink and a sport; both can be seen as metaphors for the vagaries of life itself.” Indeed!
Golf Quarterly Review June 2018
This is a delightful, well-written little book – part travel guide, part history, part personal philosophy, and part unwitting nationalist tract (what better way, after all, to celebrate Scottish distinctiveness than through writing about its two most famous exports?). It takes the form of a tour of nine regions of the country, in search of the author’s favourite distilleries and favourite golf courses along the way.
I can imagine peripatetic golfers with a fondness for an evening dram, or whisky aficionados with a set of clubs in the boot of their car, packing this little volume and reading up on pleasures planned for the following day. It will be equally enjoyable, though, with a glass of single malt to hand in the privacy of your own home.
What gives the journey special significance is the author’s playful exploration of the similarities and connections between whisky and golf. Andrew Brown, a native Scot who spent most of his career in the food industry south of the border, suggests that location, history and architecture are crucial to the two experiences. History, for instance, is an important part of the narrative that accompanies both playing and drinking. Just as we like to know the origins, ownership and social impact of a particular whisky brand (notwithstanding the marketing hype), so hearing about how and when a golf club was founded, who played there and who designed and changed it invariably enriches a round of golf.
Perhaps design is the most striking common factor given the simple, limited and seemingly unpromising ingredients that course architects and whisky manufacturers both start with. All golf courses are hewn out of sand and soil, while the essential elements of any whisky are also the same: only malted barley, water and yeast are permitted in anything that calls itself Scotch. What produces so many different and unique variations of the spirit is everything from the distilling process to the local landscape, whether it be the taste of the water, the quality of the soil, or the extent of the annual rainfall. In the case of golf it’s the eye and skill to use nature to best effect.
Each chapter describes the idiosyncrasies of a favourite course and distillery. The golf choices are far from predictable – Brora rather than Dornoch in Sutherland, Kilspindie rather than Gullane, Luffness New or Muirfield in East Lothian, the Eden rather than the Old Course in Fife. These reflect not just a conscious decision to stay away from Championship venues but those the author considers best meet his three criteria for selection: a tough but enjoyable (and affordable) test for all levels of golfer, delightful surroundings and a welcoming clubhouse.
There is an equally diverse spread of distilleries, old and new, large and small, ranging from multinational owned enterprises such as Glenmorangie to independent Edradour in Perthshire (20,000 cases of which went down off the island of Eriskay in 1941, inspiring Compton Mackenzie’s wonderful book Whisky Galore).
Wisely, the author does not take prior knowledge for granted though spelling out a three-shotter for golfers or mash tuns for devoted whisky drinkers may mildly irritate some. I liked his many diversions - musings on what makes a good golf hole and a good malt, for example, thumbnail sketches of important golf designers like James Braid and Harry Colt, and reflections on the history and practise of naming golf holes. There are plenty of surprises (at least to this non-expert whisky drinker). Did you know that eight of the world’s top ten whisky brands are Indian, while the country that consumes the most whisky on a per capital basis is France (the United States being second and the UK third)?
Tim Dickson
Editor
Golf Quarterly
Simon Marquis, Cornwall
Of Peats and Putts will appeal to anyone who enjoys golf and/or malt whisky. Andrew Brown is an enthusiastic amateur of both and his enjoyment shines through this delightful scamper across nine of Scotland’s finest golf holes, and a rather more leisurely trundle around nine of its distilleries. The real pleasure of this short volume though is the author’s drawing of nice parallels between these twin pleasures and life itself. Golf has its ups and downs as do our lives, some of them at least, perhaps smoothed away by a late evening dram or two!
The book is a pleasure in itself. I eagerly await volume two.
James Holder - Author of The Great War's Sporting Casualties Andrew Brown's second book, Mashies and Mash Tuns, has all the same charm as his first book. He describes the golf courses highlighted in his book leaving you wanting to play them and writes about whiskey in a way which, because of my own aversion to whisky (and whiskey), leaves me regretting I cannot taste them.
And not content with just writing about golf courses and distilleries, he expresses in no uncertain terms how he thinks golf should be played, views I share but views which I fear too many golfers choose to ignore.
The Glasgow Wheelers
by Kenny Pryde
A Scottish cycling history
There are few British cycling clubs which can claim to have been in existence for over one hundred years without a break, but the Glasgow Wheelers is one of them. Much more than that however, Glasgow Wheelers have been involved in the pivotal moments of British cycle sport history.
From shaping the breakaway organisation that would turn into British Cycling and running Britain's first road race championship, riding the inaugural 1936 Olympic road race and providing the first British podium finisher in the Tour de France, the Glasgow Wheelers had a hand in it all – and much more besides. Intrigues, hardship and a little skullduggery are all part of this intriguing sporting and social history.
This story of the Glasgow Wheelers is also – inevitably - the story of British cycling itself.
Reviews of The Glasgow Wheelers...
Susan Egelstaff, The Herald, 20 August 2023
One such club that has played a significant part in Scottish sporting history is Glasgow Wheelers, a cycling club that’s produced more world-class athletes than many others could even dream of.
The history of the club has been documented in a fascinating and incredibly well-researched book called: 'The Glasgow Wheelers; A Scottish Cycling History.'
This book such a vital read. And it’s not only worth reading for cycling enthusiasts, but also for people like me who are interested in Scottish sport but are entirely ignorant of the history of a club (...)which has played such a massive part in the sporting success of this country over the past century.
International croquet champion, Ian Burridge, reveals tactics from novice to championship level.
Published:
Dec 2022
Paperback:
136 pages
Price:
£18.00
ISBN:
9-781914-424571
UK Only: £18 (+£3 P&P)
Golf Croquet for Tournament Players by Ian Burridge
Ian Burridge is an International golf croquet player and a previous winner of the English National Singles, English First Eight, Welsh Championship and New Zealand Doubles titles.
Golf Croquet for Tournament Players is a manual aimed at taking players through the development journey of a competitive player.
At every level of play sound decision making is a vital component in being successful and winning games. The book aims to ensure that the reader is armed with the necessary understanding to confidently make the right decision in whatever situation they face.
A series of Golden Rules set out the basics for those just beginning their journey, these are backed up with more detailed explanations as experience and understanding increases. Once the basics have been mastered the book advances into the more detailed elements of strategy that permeate the sport, as the standard of play increases, providing the reader with the insight they need to make the most of their own ability and to counteract their opponent’s
Reviews...
Raouf Allim
This is the book which will help you transition into comfortably playing in Golf Croquet tournaments, all the way up to A class. International player Ian Burridge has written a thorough and accomplished account of the tactics and strategy of the game. So sit comfortably, with your favourite beverage at hand, put your feet up, and get stuck in.
Players of all levels will benefit from the coverage of skill-sets and common tactical scenarios in the first two sections. Good players will find this a useful fine-tuning of ideas. Developing players will already be into study mode.
Following this the author offers his unique insights into the strategy of the game, on literally a hoop-by-hoop basis, and after this comes ‘Part 4: The Battle’. This is the meat of the book and these sections are not intended to be read in one sitting. Rather, they are a study guide to be returned to as your game develops. If you’ve ever been disturbed by how often you go two hoops down at the beginning of the game, or puzzled over how best to play hoop 5 against a strong hitter, then you will be dipping into those sections straight away!
The highlight for me was the masterly account of how to counteract the various game strategies - the power players, the positional gurus, the irritating (for me) mid-paced clearers, jawsers and hoopers etc, etc. There’s a lifetime of tournament knowledge in this section alone.
I once heard the author comment to an opponent after a game “I had all the luck and you still won.” Ian has a generous spirit, and this book is the true gift of his knowledge. Buy it.
Beryl Burton overtakes Mike McNamara to clinch victory in the 12-hour race at Otley, Yorkshire. When she finishes the marathon event after 277 miles, Burton has beaten Britain’s leading male time triallist and achieved something unheard of: she has taken a men’s endurance record outright. The moment enters cycling folklore because of Burton's gesture as she overhauls ‘Mac’: unsure what to do or say, she offers him a liquorice allsort from her pocket.
Burton was a seven-times world champion and multiple national champion, and this was the greatest feat in her 30-year career. The Otley ‘12’ should have been a groundbreaking moment in women’s sport, but along with the rest of Burton’s achievements, it has slipped into relative obscurity.
This new biography from best-selling writer William Fotheringham tells Burton’s story in full for the first time, from the brutal illness that left her bedridden as a teenager to her quarter century at the top of women’s cycling in the UK, and her premature death in 1996.
William Fotheringham is the No.1 best-selling author of Merckx: Half-Man, Half-Bike. He writes for the Guardian on cycling and is the critically acclaimed author of Sunday in Hell, Fallen Angel, Roule Britannia and Put Me Back on My Bike, hailed by Vélo magazine as ‘the best cycling biography ever’.
A racing cyclist and launch editor of Procycling magazine, he has reported on almost 30 Tours de France, four Olympic Games and the Rugby World Cup.
175 NOT OUT! offers a must-read experience for all cricket buffs who relish the peerless nature of the game as it is played at local level. Since Ramsbottom Cricket Club was founded in 1845, ‘generations’ of players have partaken of the sport and stamped their character indelibly on the style in which it has been played.
As an original member of the Lancashire League, formed in 1892, Ramsbottom has also succeeded in attracting many famous world-class professional players, for example arguably the greatest of all-time Australian skippers, Ian Chappell, plus in more recent years, Michael Clarke.
Few other cricket grounds have the same iconic atmosphere as Rammy’s Acre Bottom with its splendid green and cream striped pavilion, built back in 1904. Within its hallowe d portals, Ramsbottom Cricket Club’s own Long Room, much like the one at London’s Lords’, contains evocative evidence of the club’s illustrious history splashed across its walls.
Drawing on the club’s archive base, containing a wide and fascinating range of memorabilia, the author has succeeded in penning a vibrant narrative going back to 1845. In addition, interviews conducted with ex-players, the earliest of such recollections taking the reader back to the 1950s, provide rich and very often amusing first-hand accounts.
The club’s ‘roll of honour’, from 1892 onwards, reveals the remarkable record of success achieved by Ramsbottom teams across a distinguished history of involvement in the distinctive world of Lancashire League cricket. Going far beyond raw facts and figures, 175 Not Out! explores the human dimension and the way in which cricket resides in the soul of the town’s community.
Above all else, this is a book which richly conveys the memories and recollections of all those who, whether as players, volunteer workers or spectators, have contributed so splendidly to the fascinating history of Ramsbottom Cricket Club.
Nigel Jepson lives in Ramsbottom and is a keen supporter and member of Ramsbottom Cricket Club.
He first came to the local area in the mid-1990s when taking up post as Headteacher at nearby Haslingden High School. As far as the broader community was concerned, it didn’t take long to pick up the vibes regarding the longstanding rivalry between Haslingden and Ramsbottom, much of it existing on a cricketing front as traditional close rivals in the Lancashire League.
Nigel’s last UK Head’s post was at Kearsley Academy in Bolton from 2010 to 2014. ‘Retired’, he has though carried out interim Headteacher work in Dubai during 2016 and has also conducted teacher training programmes in New Delhi in 2018.
Although having always been keen on team sports, he developed a passion for long distance running which started with the London Marathon in 1982, moving through other events to New York in 2001. More recently, over 2017 to 2019, prior to the Covid pandemic kicking in, he ran four more marathons in Dubai, Belfast, Manchester and Liverpool.
‘The Inspector and the Superhead’ (2000)
‘Cut and Run’ (2006)
‘In a League of His Own’ (2011)
‘Speed is of the Essence’ (2015)
Mid-May 2020 seemed an unlikely time to set off on a new publishing venture. The world of bike racing journalism was temporarily in crisis along with the rest of the sports profession. There was no live cycling to write about, and budgets were being slashed left right and centre as recession hit hard. Most cycling writers are freelance, and in the UK at least there wasn’t a lot of help coming from the government.
But the idea of putting a website on line to bring cycling fans the best writing that a group of long-standing cycling journalists could provide had been kicking around my mind for a while. In a moment of optimism a few years ago, I’d even registered a name that I liked and that I knew had resonance with lovers of the sport –
lacourseentete.com
OJ Borg is lacourseentete podcast specialist. A broadcaster of long standing who is currently with BBC Radio Two, when not out on his bike, be that road, mud or virtual. During his tenure as BBC cycling correspondent he undertook two hour record attempts shockingly failing in both, learnt how to look good in lycra from David Millar, blew up a bicycle on l’Alpe d’Huez and almost killed Rob Hayles while reporting on Paris-Roubaix.
Nick Bull was drawn to cycling aged nine when the Rochester International Classic World Cup race took place on local roads in 1997. He joined Cycling Weekly and Cycle Sport as a reporter in 2011, and went on to become the magazines’ news editor. A regular contributor to BBC Radio 5 Live’s BeSpoke cycling show, he is also
the PR & digital manager for the Tour of Britain and Women’s Tour races. He tweets @nickbull21.
Peter Cossins devoured Phil Liggett’s reports in his dad’s newpspaper in the 70s and began work at Cycling Weekly as the magazine was preparing to launch Cycle Sport. He was procycling editor between 2006 and 2009 and currently specialises in writing books about the sport. An award winner for both Full Gas (2018) and The Yellow Jersey (2019), Pete currently lives with his family in the Pyrenees, with an office overlooking the Prat d’Albis climb.
William Fotheringham is lead cycling writer at The Guardian and has covered 26 Tours de France. A former writer at Cycling Weekly, he helped launch Cycle Sport before founding procycling together with Jeremy Whittle. His best-selling books include Put Me Back on My Bike: in search of Tom Simpson (2002), Fallen Angel: the Passion of Fausto Coppi (2008), and Merckx: Half-Man, Half-Bike (2012).
Matt Morris is a Shropshire based designer who started his own company in 2008 and has worked with cycling brands Orbea, Scott, Bianchi and Viner as well as a number of blue-chip companies and the Lawn Tennis Association. Like many, he was drawn to cycling by Channel Four’s Tour coverage and currently enjoys thrashing his gravel bike around the lanes.
Sadhbh O’Shea was born in Ireland and raised in the cycling hotbed that is the Isle of Man. After working as an intern at Eurosport after graduating in journalism, she went on to a spell at procycling followed by working at cyclingnews.com and is currently working at the BBC in the Isle of Man. Most of her time is spent interviewing politicians but cycling is never far from her mind.
Sophie Smith has covered cycling since 2010 and reported from eight Tours de France, working as a journalist and television presenter for Australian and British press. She cut her teeth at the 2010 world road championships before moving to England in 2012 to join Cycling Weekly and Cycle Sport magazines. Now based out of Melbourne, she travels to WorldTour races as a regular contributor to media outlets in Australia and the UK.
Jeremy Whittle began covering cycling in 1993, for Winning magazine, where his first assignment was interviewing a Texan upstart named Lance Armstrong. He has covered the Tour de France for 25 years, for the Times and currently for the Guardian, and joined William in launching procycling in 1999. His books Bad Blood and Racing Through the Dark (with David Millar) were shortlisted for the William Hill Sports Book of the Year.
SWPix.com provide lacourseentete with photographs; they are an independent mainly sports specific picture agency, whose live and archive imagery appears in national and regional newspapers and across many digital platforms. The swpix.com archive holds nearly a million images; or more information contact Simon Wilkinson on simon@swpix.com
Football’s Golden Decades
Four of Wembley finest finals
Decades before England’s Euro 2020 success, there was another gilded era for English football… massive crowds packed stadiums as fans regained their hunger for professional soccer after the war. From the sensational Cup Final of 1939 to England’s World Cup triumph twenty-seven years later, football was still in its Age of Innocence, before superstardom and eye-watering wages. Players were part of the same community as those who watched them – and, thanks to the maximum wage, didn’t earn much more than them either.
The business of playing and watching football has been transformed beyond recognition since then. Grounds are safer and more comfortable, players are faster and fitter. Tactically, too, football is much more sophisticated than when players used to line up in a rigid 2–3–5 formation. Yet, as the game has become a multi-billion pound industry, fuelled at the top end by lucrative TV contracts, has soccer lost its soul?
Published:
Oct 2021
Paperback:
119 pages
Colour images:
50
Size:
6 x 9 ins
Price:
£9.99
ISBN:
9-781913-425982
£9.99 (+ £3.50 postage)
Number of copies:
In a blend of personal reminiscence and reportage, Barry McLoughlin – the son of an FA Cup-winning England international – looks back to four of the most famous Wembley finals, and examines the social and cultural background of the era through a study of grounds and football programmes. Packed with colour and black and white illustrations, it’s an essential guide to a pivotal period in British football.
When you have produced the final draft of your book, it is always advisable to have the text read and checked by a professional editor or proof reader.
You may have friends that are willing and competent to do this and we can advise you on the type of editing that is required.
We can offer four levels of editing as well as proof-reading.
You choose which, if any, are appropriate in your case: 1. Edit of sample pages and short report (£30)
We will edit a few pages to highlight editorial issues so that you can look for similar problems throughout the book.
This will reduce the amount of further copy-editing required when the book is finished. 2. Broad structural editing and criticism (£5 per thousand words)
A structural review is particularly relevant for works of fiction.
The structural reviewer will address the following main areas and produce a short report for the author ” Read More 3. Copy editing (£10 per thousand words)
A copy-editor takes a close look at your text, line by line, with an eye to grammatical errors, repetition, inconsistency and lack of clarity. The copy editor will make changes to the text, with suggestions for rewriting, grammar, and punctuation. When you receive the edited version, you have the final choice about accepting of rejecting the individual changes. 4. Proof Reading (£8 per thousand words)
Proof reading is a line-by-line check that the book is ready for publication. Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself. 5. Consistency Scan
If you decide your book doesn’t need a full proof reading, we offer an electronic scan to search for common errors and inconsistencies. This looks at issues such as inconsistent spelling and inconsistencies of hyphenation and capitalisation.
We can also identify inconsistencies in the spelling of proper names. 6. Cover text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we can work with you to make sure that these are correct and effective.
Copy Edit
Copy-editors get the raw material into shape for publication i.e they edit the copy.
When they have finished, the designer can lay out or typeset the book and produce a proof.
It is quite normal for the author to make additional changes after a book has been copy-edited.
Working through the material, the copy-editor may identify errors in spelling, punctuation, grammar, style and usage, but also very long sentences and overuse of italic, bold, capitals and exclamation marks.
They should correct or query doubtful facts, weak arguments, plot holes and gaps in numbering.
In fiction, they should also check that characters haven’t changed their name or hair colour, look for sudden changes from first to third person among other things.
The Copy-editor is not a proof reader and should not be expected to find all of the errors in the text particularly if the text is badly written to start with.
This is the job of the proof reader.
The final proof should be checked by a proof reader or an experienced reader friend before going to print.
It is almost inevitable (and acceptable) to miss a few errors which can be corrected in a later edition.
Proof Reading
Proof reading is a line-by-line check that the book is ready for publication.
Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself.
If you have decided to complete this stage of the process yourself, we will send a detailed check-list to help you.
We ask you to try and ensure that the book is completely ready before we start the layout.
Once the layout has started, we expect that you might want to to make a small number of amendments but
if there are a significant number, we may need to charge for the extra time it takes to change the layout
so best to discuss this with us first.
Structural Review
In fiction, the main areas that a structural editor will address are:
Plot: Does the plot make sense? Is it believable? Is it satisfying or does it leave the reader frustrated? Themes: Are the themes effectively handled? Are there so many that the book lacks focus? Do they interfere with the plot or complement it?
Characterisation: Are your characters well developed and believable? Are they cast in a role that fits their personality? Do they sometimes behave out of character? Point of view/voice: Is the voice consistent or is it sometimes confused? Is the voice authentic? Are you using too many or too few POVs? Pace: Does the plot move forward at an appropriate pace? Should you cut that preface? Should the action happen sooner or should the tension build more slowly? Dialogue: Do your characters sound real when they speak? Is your dialogue cluttered with adverbs and beats? Do you use clunky dialogue to move the plot forward? Flow: Is the narrative interrupted by dead-ends and tangents? Is there so much back story that the main plot is dwarfed? Are there missing plot points that would give the narrative greater integrity?
In non-fiction, the principle is the same, but the specific issues are slightly different:
Thesis: Is your thesis relevant? Is it clearly defined or is it lost among marginal issues? Exposition: Are your arguments clear and cogent? Are they well researched and properly supported? Do they have a clear relationship with your thesis? Content: Are all the necessary topics sufficiently dealt with? Are the chapters weighted correctly? Is there superfluous content? Organisation: Is the information organised logically? Are tables and illustrations used appropriately? How many levels of subheads do you need and how should they be arranged? Tone: Is the tone appropriate for the audience? Do you need to eliminate jargon? Is the text accessible? Pace: Are there passages that are bogged down in detail? Do you spend too long on detail irrelevant to the main thesis? Are there areas that need further exposition lest they be skipped over?
Cover Text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we work with you to make sure that these are as effective as possible.
Consistency check
If you decide your book doesn’t need a full proof reading, we can run an electronic scan to search for common errors and inconsistencies.
This looks at issues such as inconsistent spelling, hyphenation and capitalisation.
It also checks for consistent formatting of numbers and dates as well as undefined abbreviations.
Subsequent Script Edit
It is very normal and generally beneficial for the script-editing process to go through at least a couple of cycles
i.e. the rewritten draft to be worked through once again by an experienced script practitioner – though this would be entirely at the discretion and behest of the writer.
Full Script Edit
The script that you deliver to us will probably constitute what the industry would classify as the ‘Initial Rough Draft’, i.e. a full screenplay written without any other professional input or advice, and probably without a great deal of rewriting. We work through your draft, line by line, scene by scene, and come back to you with a comprehensive set of notes from which you can then work towards the official ‘1st Draft’. Some of our notes will be broad and general, dealing with such areas as the overall shape and structure, pacing, plot and character development; others will be far more specific, with corrections, clarifications and suggested cuts etc. It is of course entirely up to you whether or not to take these suggestions on board, and to what extent.
Ongoing Support
We aim to make your self-publishing venture an enjoyable and rewarding experience.
Publishing is a complex business and we treat every book as a separate project.
We explain all of the stages at the outset and we manage the project schedule for you. This will include all of the expert services you have requested for editorial, design, printing, distribution and collection of royalties, keeping in close contact with you throughout the process.
You will be allocated a project-sheet on the YouCaxton website so that you can monitor progress and ensure that all stages are properly completed.
If you would like to see an example of a Project-Sheet…
go to My project on the menu and enter…
Username: Sample
Password : welcome.
