A history of the Shrewsbury Drapers Company from the Middle Ages until the present day with special attention to the new Drapers' Almshouses. The Shrewsbury Drapers' Company looks at the effect of the Company on the town and on its development, the various charitable guilds and trusts connected with it and finally at the long struggle to create new almshouses for elderly citizens of the town and the successful conclusion to the project.
Published:
Sept 2017
Extent:
250 pages
Paperback:
£17.50
Hardback:
£25.00
ISBN:
9-781911-175506
Paperback: £17.50 (+ £2 postage) Number of copies:
Hardback: £25.00 (+ £2 postage) Number of copies:
Nigel is a chartered accountant with a passion for local history and cloud technology, he was master of the Shrewsbury Drapers Company in 2011/12.
He is married to Bridget they have three daughters and four grandchildren. Nigel`s other publications include Historical Hostelries with David Trumper, Silhouette, the story of the Little X, and a book for children, Baa Baa Blodwyn
Consciousness Matters addresses the age-old problem of the relationship between consciousness and the material world. In the course of exploring some of the history of this major philosophical subject it looks at a range of materialist responses, such as mind-brain identity theory, behaviourism, functionalism and supervenience, as explanations for consciousness.
Set against these positions is the view, first, that consciousness is neither material nor reducible to material and, second, that consciousness is a prerequisite for our knowledge of the material world. If the latter view is the case, the terms of the debate are shifted fundamentally.
The theories of idealism and dualism of the material and the conscious are considered.
In contrast to the dualism made famous by Descartes, according to which there is two-way causal interaction, the long-neglected theory of occasionalism is introduced and explained with reference to two significant philosophers associated with it. A case is made for a revival of occasionalism that takes into account a more modern perspective. The book ends with an acknowledgement that it has only scratched the surface of this vast and very challenging topic.
“Oh Bugger it! Why don’t we just go and live there?”
Next morning we left our home behind and set off on the first leg of our great antipodean adventure.This is the story of a ‘grown-up gap-year’ spent in New Zealand. A melting-pot of recollections, reflections and abundant digressions, it is, by turns, tangentially informative, subjectively insightful and forthrightly irreverent. The author recounts, with frequent characteristically acerbic asides, the trials and tribulations, highs, lows and flat spots of stepping ‘outside the box’ and thirty years back in time, into a new life on the other side of the world. Along the way, he touches upon a diversity of nebulously related topics, amongst which teaching, long-distance walking, bureaucracy and drinking beer are recurrent themes.
Anyone who has ever harboured a desire to seek out distant horizons will relate to the inherent urge to ‘up and go’ encapsulated in this account. Anyone who has never felt such wanderlust may find themselves re-evaluating their perspectives. Reading this book is unlikely to change your life but it just might change the way you think about it.
Godfrey Wilkinson grew up in Lichfield, Staffordshire in the English Midlands: a city with a proud cultural heritage and an established tradition of landlocked introspection.In his mid-50s, after some 30-odd years as a Secondary School teacher (with occasional forays into the real world of Business and Commerce), he decided to get off the grid and realise a long-held ambition to experience the New Zealand dream. His occasional newsletters prompted friends to say, “You should write a book about it.”
So he did.
He currently lives with his wife, Jayne, and their New Zealand sheepdog, above a taverna overlooking the harbour of a small Greek fishing village.
Reader Reviews...
Malcolm Cowburn Beyond drudgery: there is life after teaching
The title of the book is in Māori (‘Whā Kaupeka’) and then repeated in English (‘Four seasons in New Zealand’). Some chapter titles are in English and others in Māori indicating the emphasis of each section, I briefly offer the translation of the Māori words (with thanks to maoridictionary.co.nz): Pae Tawhiti (cast far away), Ngahuru (Autumn), Hōtoke (Winter), Kōanga (Spring) and Raumati (Summer). The attention to, and respect for Māori culture is one of the many strengths of this book.
In part personal memoir, drinking diary, nature journal, walker's log, cultural commentary and social polemic, this book is entertaining, informative and thought provoking. The author and his wife, both experienced teachers jaundiced with teaching policy and practice in the UK, decided to emigrate to New Zealand. The book is, in part an account of their experience. It captures, with humour, the frustrations of dealing with bureaucracies managing emi/immigration, house sale and purchase and employment in two countries at opposite ends of the globe. The acerbic eye of the author looks back in anger on the KPI driven world of English education managed by acquiescent careerists, and initially enthuses about the simple candour of staff-pupil relationships on the other side of the world. It is also an account of a long-distance walk undertaken by the author with two friends and his dog. The Cleveland Way is a 110 mile walk in North Yorkshire, England. The book is unified by the way it encounters the natural, cultural and historical worlds of both locations; these are well researched and expressed in an easy and accessible manner. The text is liberally punctuated with 'drinks breaks’ which the author manages with eloquent ease, savouring the new and relishing the familiar. The pains of emigration are not ignored, sadness and sorrow are economically yet powerfully expressed. Family ties and memories of England recur regularly throughout: humorously, for example, in the author’s early naturalist experiments that disturbed the, rhythms of family life, and poignantly in the references to his father. The book ends as it began with a refusal to accept life-numbing work conditions and a quest for adventure. The strength of this book is its clarity, and full-on engagement with the complexities and challenges of living fulsomely in the moment.
John White was a man of vision. He was rector of the town of Dorchester in the English county of Dorset from 1605 until his death in 1648. Under his leadership, after a disastrous fire, the town was transformed into a model caring community, embodying his Puritan ideals. He then sought to export this model across the Atlantic, to what was becoming known as New England. He became the driving force behind the Dorchester Company and then the Massachusetts Bay Company, and he inspired many folk from Dorset and the surrounding area to emigrate and found a new Dorchester in Massachusetts. He also lived to see some of these early settlers go on to found what became known as Windsor in Connecticut. This is his story, and theirs, a story of new worlds at home and abroad.
David Cuckson studied law and theology at the University of Cambridge. He has worked as a Congregational/ United Reformed Church minister and as a solicitor in local government and in private practice. He is now retired and lives in Dorchester.
Boxer Walker was voted the best scrum half in the world in 1980. The incredible story of his life is in part, a social history of a half-forgotten era, when coal mines were the economic bed rock of close-knit communities across the north. He shines a light into what life was like in a claustrophobic Cumbrian pit deep below the Irish Sea and you will join him in the Workington Town dressing room when they beat mighty Wigan to win the Lancashire Cup for the only time in the club’s history.
You will also find out about the great players and coaches who helped to burnish his rugged skills and why he was always a prized target for violent forwards, years before the slick presentation of the Super League by Sky TV with its HD quality pictures and video replays.
Published:
May 2017
Paperback:
356 pages
Price:
£15.00
ISBN:
9-781911-175582
£15.00 (+ £3 postage) Number of copies:
Boxer’s story is full of highs and lows, including the day he was felled so heavily at the Recreation Ground, that a rumour spread around the terraces that the tackle had killed him.
Always exciting, uplifting, poignant, revealing and ultimately triumphant, Boxer: The Life of a Cumbria Great is a towering story of one of Cumbria’s finest-ever home-grown players and of a sporting character almost without compare.
Reader Reviews...
Rugby League Express
In a warts and all account, Gardner doesn't shy away from the fact that Boxer Walker could mix it with the best, almost a prerequisite of a scrum half's armoury in an era when every number seven was a target for enforcers. The award-winning author has written a superb account of a glorious career and this book is a must-read for every rugby league fan.
Adrian Durham, Talksport presenter, journalist and author
Mike Gardner paints a clear and poignant picture of Boxer as he is today, wonderfully written. Overall I enjoyed the description of old school rugby league, as well as the spirit and strength of the game in Cumbria. The photographs are a joy - plenty of them, and capturing an era and an area. The picture of the steps early in the book is awesome! Congratulations, loved it! The author should feel very proud
Rugby League Journal
It is all part of Mike Gardner's skills as a writer in taking us behind the scenes to the 'dark and mysterious' areas of rugby league that the fan doesn't see but only those who played the game can reveal. His descriptive talents and way with words at times present the story in an novel-esque style
Long-term monitoring of vegetation on Zalidovskie Luga meadow situated alongside the Ugra river in Kaluga Oblast, Russia, has been carried out from 1965 to 2012. Since 1997 the meadow has been part of the “Ugra” National Park, which was assigned the status of a UNESCO biosphere reserve in 2002. During the forty-eight years of monitoring, annual surveys on permanent plots were combined with surveys of haystack locations and adjacent control plots, with detailed observations of populations of particular plant species. A large amount of data has been collated allowing the impact of environmental factors to be assessed.
Over the observation period, agricultural management altered more than once, ranging from single hay cut, hay cut followed by aftermath grazing, double hay cut, extensive grazing, and no management at all in recent years. The data illustrate the reaction of plant communities to these changes. The appendix contains data from 504 relevés recorded on twenty-two permanent observation plots over forty-eight years.
This book will be of interest of vegetation ecologists, conservationists and anyone involved in the management of European floodplain meadows.
Weymouth is usually thought of as a ‘Georgian’ town, but this book shows how much of the physical appearance of the town was determined many years before the arrival of George III himself. It examines the parallel histories of the twin towns of Weymouth and Melcombe Regis from the eleventh century to the end of the sixteenth, charting their rise and subsequent decline. It explains how their early growth was based on the great medieval trades of wool and wine and how growth was influenced by their connections with France which developed particularly in the years of the Angevin Empire. Their later decline was caused by the disruption of these trades and by the ravages of war in the Channel, part of the great conflict with France known as the ‘Hundred Years’ War’. In the midst of this the population was overwhelmed by the catastrophe of the Black Death.
James Crump read modern history at the University of Oxford and taught school students, undergraduates and extramural classes for many years. Before moving to Dorset he has written on social and industrial history subjects mainly in northern contexts. He has been researching Dorset history for many years and is especially interested in the early history of towns.
To the diarist Francis Kilvert, his near neighbour Father Ignatius (born Joseph Leycester Lyne in 1837) seemed ‘entirely possessed by the one idea’ of introducing his distinctive version of the monastic life into the mid-Victorian Anglican Church. Rejecting any suggestion that he should temper his grand ambition by meeting comfortably protestant Britain half way, Ignatius endured ridicule, harassment and regular episcopal embargo, but persevered until his dying day with what he believed was his individually God-given mission.
Ignatius’s enduring memorial is ‘New Llanthony Abbey’, an eccentric, now partly ruined Gothic extravaganza at Capel-y-ffin, a remote upland hamlet on the Welsh border. Monks and nuns came and went – some evidently pursuing a genuine religious vocation but failing to find it there; others apparently from less worthy motives.
Hugh Allen tells the story of Ignatius’s community from its origins in early 1860s East Anglia to its migration to Wales in 1870, its history through the following four decades (including the controversial 1880 Apparitions), and its demise after the founder’s death in 1908. He also describes the later history of the former monastery, home in the 1920s to the sculptor and typographer Eric Gill and for many years to the family of his eldest daughter, and brings the story up to date with information about the Father Ignatius Memorial Trust and the continuing appeal of New Llanthony as a place of pilgrimage.
The author is a longstanding member of the Father Ignatius Memorial Trust.
Reader Reviews...
The Church Times In the midst of the burgeoning religious fervour of 19th-century Britain, the tragic-comic figure of Joseph Leycester Lyne [Fr Ignatius] must surely represent the epitome of … the “virtuoso religion” of some of its more enthusiastic and eccentric characters. As such, a book like Hugh Allen’s has been lacking for a long time…..
The whole work is forensically researched, meticulously referenced, and fluently written – a winning combination that makes it as enjoyable as it is useful – and the footnotes are often as interesting and informative as the main body of the text.
Lyne was either a faithful thwarted prophet or a volatile pious lunatic. Perhaps he was a heady combination of both; but Allen leaves that judgement to the reader, and does so in a masterly fashion. This book has been well worth the wait.
William Davage, New Directions, December 2016 ‘An enjoyable, constructive, detailed and compelling study … This is a substantial and significant book, well-researched, rooted in thorough archival sources and attractively, if weightily, presented … comprehensive in its scope, measured and considered in its judgements.'
News Letter of the Anglo Catholic History Society, Autumn 2016 Much meticulous research has gone into this substantial book … Hugh Allen has utilised a wide range of archive relating to Ignatius himself and the community and its associates across the whole the chequered range of its history … All in all this book is a fascinating compendium of information about a bizarre and ambiguous monastic experiment.
When you have produced the final draft of your book, it is always advisable to have the text read and checked by a professional editor or proof reader.
You may have friends that are willing and competent to do this and we can advise you on the type of editing that is required.
We can offer four levels of editing as well as proof-reading.
You choose which, if any, are appropriate in your case: 1. Edit of sample pages and short report (£30)
We will edit a few pages to highlight editorial issues so that you can look for similar problems throughout the book.
This will reduce the amount of further copy-editing required when the book is finished. 2. Broad structural editing and criticism (£5 per thousand words)
A structural review is particularly relevant for works of fiction.
The structural reviewer will address the following main areas and produce a short report for the author ” Read More 3. Copy editing (£10 per thousand words)
A copy-editor takes a close look at your text, line by line, with an eye to grammatical errors, repetition, inconsistency and lack of clarity. The copy editor will make changes to the text, with suggestions for rewriting, grammar, and punctuation. When you receive the edited version, you have the final choice about accepting of rejecting the individual changes. 4. Proof Reading (£8 per thousand words)
Proof reading is a line-by-line check that the book is ready for publication. Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself. 5. Consistency Scan
If you decide your book doesn’t need a full proof reading, we offer an electronic scan to search for common errors and inconsistencies. This looks at issues such as inconsistent spelling and inconsistencies of hyphenation and capitalisation.
We can also identify inconsistencies in the spelling of proper names. 6. Cover text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we can work with you to make sure that these are correct and effective.
Copy Edit
Copy-editors get the raw material into shape for publication i.e they edit the copy.
When they have finished, the designer can lay out or typeset the book and produce a proof.
It is quite normal for the author to make additional changes after a book has been copy-edited.
Working through the material, the copy-editor may identify errors in spelling, punctuation, grammar, style and usage, but also very long sentences and overuse of italic, bold, capitals and exclamation marks.
They should correct or query doubtful facts, weak arguments, plot holes and gaps in numbering.
In fiction, they should also check that characters haven’t changed their name or hair colour, look for sudden changes from first to third person among other things.
The Copy-editor is not a proof reader and should not be expected to find all of the errors in the text particularly if the text is badly written to start with.
This is the job of the proof reader.
The final proof should be checked by a proof reader or an experienced reader friend before going to print.
It is almost inevitable (and acceptable) to miss a few errors which can be corrected in a later edition.
Proof Reading
Proof reading is a line-by-line check that the book is ready for publication.
Proof readers will make small corrections for punctuation, grammar and spelling but they will not make significant changes to the text.
A proof reader will identify any significant issues and add comments to the text so that you can make those corrections yourself.
If you have decided to complete this stage of the process yourself, we will send a detailed check-list to help you.
We ask you to try and ensure that the book is completely ready before we start the layout.
Once the layout has started, we expect that you might want to to make a small number of amendments but
if there are a significant number, we may need to charge for the extra time it takes to change the layout
so best to discuss this with us first.
Structural Review
In fiction, the main areas that a structural editor will address are:
Plot: Does the plot make sense? Is it believable? Is it satisfying or does it leave the reader frustrated? Themes: Are the themes effectively handled? Are there so many that the book lacks focus? Do they interfere with the plot or complement it?
Characterisation: Are your characters well developed and believable? Are they cast in a role that fits their personality? Do they sometimes behave out of character? Point of view/voice: Is the voice consistent or is it sometimes confused? Is the voice authentic? Are you using too many or too few POVs? Pace: Does the plot move forward at an appropriate pace? Should you cut that preface? Should the action happen sooner or should the tension build more slowly? Dialogue: Do your characters sound real when they speak? Is your dialogue cluttered with adverbs and beats? Do you use clunky dialogue to move the plot forward? Flow: Is the narrative interrupted by dead-ends and tangents? Is there so much back story that the main plot is dwarfed? Are there missing plot points that would give the narrative greater integrity?
In non-fiction, the principle is the same, but the specific issues are slightly different:
Thesis: Is your thesis relevant? Is it clearly defined or is it lost among marginal issues? Exposition: Are your arguments clear and cogent? Are they well researched and properly supported? Do they have a clear relationship with your thesis? Content: Are all the necessary topics sufficiently dealt with? Are the chapters weighted correctly? Is there superfluous content? Organisation: Is the information organised logically? Are tables and illustrations used appropriately? How many levels of subheads do you need and how should they be arranged? Tone: Is the tone appropriate for the audience? Do you need to eliminate jargon? Is the text accessible? Pace: Are there passages that are bogged down in detail? Do you spend too long on detail irrelevant to the main thesis? Are there areas that need further exposition lest they be skipped over?
Cover Text
The quality of the text on the cover is very important as it indicates the quality of the writing in the book.
The title, sub-title and back-cover blurb are all important elements and we work with you to make sure that these are as effective as possible.
Consistency check
If you decide your book doesn’t need a full proof reading, we can run an electronic scan to search for common errors and inconsistencies.
This looks at issues such as inconsistent spelling, hyphenation and capitalisation.
It also checks for consistent formatting of numbers and dates as well as undefined abbreviations.
Subsequent Script Edit
It is very normal and generally beneficial for the script-editing process to go through at least a couple of cycles
i.e. the rewritten draft to be worked through once again by an experienced script practitioner – though this would be entirely at the discretion and behest of the writer.
Full Script Edit
The script that you deliver to us will probably constitute what the industry would classify as the ‘Initial Rough Draft’, i.e. a full screenplay written without any other professional input or advice, and probably without a great deal of rewriting. We work through your draft, line by line, scene by scene, and come back to you with a comprehensive set of notes from which you can then work towards the official ‘1st Draft’. Some of our notes will be broad and general, dealing with such areas as the overall shape and structure, pacing, plot and character development; others will be far more specific, with corrections, clarifications and suggested cuts etc. It is of course entirely up to you whether or not to take these suggestions on board, and to what extent.
Ongoing Support
We aim to make your self-publishing venture an enjoyable and rewarding experience.
Publishing is a complex business and we treat every book as a separate project.
We explain all of the stages at the outset and we manage the project schedule for you. This will include all of the expert services you have requested for editorial, design, printing, distribution and collection of royalties, keeping in close contact with you throughout the process.
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